STEVE McQUEEN’S MEAN MACHINES | THE 1957 JAGUAR XK-SS “GREEN RAT”
March 6, 2011-
Jaguar’s epic 3.4 liter, DOHC inline-six powered D-Types were originally built for competitive racing– with a few also falling into the hands of privileged private owners. But by 1958, the D-Type had become obsolete– new racing mandates now called for smaller 3.0-liter engines, which would hurt the D-Type’s performance on the track. Ferrari had proven themselves to be the masters of small-displacement, high-performance racing, particularly with their iconic Testa Rossa that could handily eat the 3.0 liter D-type’s lunch. Jaguar found itself needing to unload 25 of the 3.4 liter D-Types.Jaguar execs decided to convert the old D-Types to street legal sports cars and sell them to the public as limited-edition GTs. The Jaguar was subjected to a series of street-legal retrofits, including– a full-width windshield, and a bare-bones top and luggage rack added to the rear deck replaced the original racing dorsal fin. Removable fixed-pane side curtains were then mounted to the Jaguar’s doors. A vestigial exhaust system was devised by engineers– complete with a guard to prevent laymen from burning themselves on the Jag’s exposed, aggressive sidepipes. The roadster’s lighting was converted to meet street specs, two nicely-appointed seats were added, a passenger side door and sleek bumpers were tacked-on, and they were ready to roll. Tragically, 9 of the 25 XK-SS D-Types were destroyed by a fire at the Jaguar factory in 1957, making the remaining 16 all the more special.One of these iconic roadsters would find its way into the hands of Steve McQueen– who enjoyed an on-and-off love affair with this special Jaguar up until the very end.___________________________________________________________________________-
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About human imagination, design and other amazing worlds (...because all my life is a link!)
STEVE McQUEEN’S MEAN MACHINES | THE 1957 JAGUAR XK-SS “GREEN RAT” « The Selvedge Yard
A Sister’s Eulogy for Steve Jobs
A Sister’s Eulogy for Steve Jobs
By MONA SIMPSON
Published: October 30, 2011
I grew up as an only child, with a single mother. Because we were poor and because I knew my father had emigrated from Syria, I imagined he looked like Omar Sharif. I hoped he would be rich and kind and would come into our lives (and our not yet furnished apartment) and help us. Later, after I’d met my father, I tried to believe he’d changed his number and left no forwarding address because he was an idealistic revolutionary, plotting a new world for the Arab people.
Even as a feminist, my whole life I’d been waiting for a man to love, who could love me. For decades, I’d thought that man would be my father. When I was 25, I met that man and he was my brother.
Foster + Partners Spaceport America New Mexico, USA, 2006-2011
Spaceport America
New Mexico, USA, 2006-2011
The Foster + Partners and URS team has won an international competition to build the first private spaceport in the world - The New Mexico Spaceport Authority Building. The sinuous shape of the building in the landscape and its interior spaces seek to capture the drama and mystery of space flight itself, articulating the thrill of space travel for the first space tourists.
Co-architects: SMPC Architects, URS Corporation (local)
The Foster + Partners and URS team has won an international competition to build the first private spaceport in the world - The New Mexico Spaceport Authority Building. The sinuous shape of the building in the landscape and its interior spaces seek to capture the drama and mystery of space flight itself, articulating the thrill of space travel for the first space tourists. Making a minimal impact on the environment, the scheme will be the first facility of its kind and a model for the future
The Spaceport lies low within the desert-like landscape of the site in New Mexico and seen from the historic El Camino Real trail, the organic form of the terminal resembles a rise in the landscape. Using local materials and regional construction techniques, it is both sustainable and sensitive to its surroundings.
Organised into a highly efficient and rational plan, the Spaceport has been designed to relate to the dimensions of the spacecraft. There is also a careful balance between accessibility and privacy. The astronauts’ areas and visitor spaces are fully integrated with the rest of the building to convey the thrill of space travel. The more sensitive zones - such as the control room - are visible, but have limited access.
Visitors and astronauts enter the building via a deep channel cut into the landscape. The retaining walls form an exhibition space that documents the history of the region and its settlers, alongside a history of space exploration. The strong linear axis continues on a galleried level to the ‘superhangar’ - which houses the spacecraft and the simulation room – through to the terminal building.
Designed to have minimal embodied carbon and few additional energy requirements, the scheme has been designed to achieve the prestigious LEED Platinum accreditation. The low-lying form is dug into the landscape to exploit the thermal mass, which buffers the building from the extremes of the New Mexico climate as well as catching the westerly winds for ventilation. Natural light enters via skylights, with a glazed façade reserved for the terminal building, establishing a platform for the coveted views onto the runway.
Client: New Mexico Spaceport Authority (NMSA), Virgin Galactic (tenant)
Consultants: URS Corporation, Balis and Company, URS Corporation, PHA Consult, Consult, Foster + Partners
foster + partners: spaceport america - complete
rendered fly-by view
image courtesy foster + partners, vyonyx ltd
'spaceport america' by foster + partners in new mexico, USA
following up on our previous coverage of the project, here are some images of the completed
'spaceport america' by internationally-recognized firm foster + partners in new mexico, USA.
the first commercial space terminal in the world, the new 11,148 m2 facility will offer
opportunities for tourists to travel into space. a dedication ceremony for the
'virgin galactic gateway to space' was recently held to celebrate the milestone event.
I corpi dei Capi | Doppiozero
Marco Belpoliti
Una delle fotografie che più mi avevano impressionato mentre visionavo gli scatti realizzati dai fotografi ufficiali di Silvio Berlusconi, per scrivere Il corpo del Capo, era un’istantanea realizzata da Alex Majoli. Il Presidente del Consiglio vi appariva in piedi davanti a un pesante tendaggio di color chiaro. Lo sguardo spento, la bocca chiusa, le braccia dietro la schiena. Una posa che sembrava smentire tutta la politica del sorriso, dell’ottimismo, della solarità tipica dell’imprenditore televisivo, prima, e dell’uomo politico, poi. Emergeva dall’immagine qualcosa di lugubre e di funereo che probabilmente stava acquattato da sempre dietro la facciata – la faccia – di Silvio Berlusconi. La pulsione di morte che la pulsione di vita trascina inevitabilmente con sé, e che di solito è occultata dietro la baldanza e l’ottimismo.
Mitch Dobrowner, "the storms hunter"
Amazing black-and-white shots which depict the dramatic, calm beauty of stormsThe majestic fury of a storm, symbol of both human fragility and strengh, has always been considered as sublime. Although many love to observe it, only few braves have had the courage to capture its beauty: among these, Mitch Dobrowner, the "storms hunter".
His amazing black-and-white pictures let appreciate the beauty of storms, despite the disasters they generate.
Dobrowner's photographs are intensly dramatic: big clouds and lightnening make the view extremely powerful. "When taking photographs, time and space seem hard for me to measure. Whenever I shoot a ‘quality’ image, I know it. At those moments things are quiet, seem simple again – and I obtain a respect and reverence for the world that is hard to communicate through words. For me those moments happen when the exterior environment and my interior world combine. Hopefully the images presented help communicate what is visualized during those times", stated the photographer.
His passion for storms was born a long time ago when he was still a child: ever since his job has been to record this world of light and shadow in a magic, indefinite time.
Ettore Sottsass - Enamels, Vitra Design Museum | Interiors | Wallpaper* Magazine
Interiors
Exhibition view of the Enamels series by Ettore Sottsass in the new Vitra Design Museum GalleryAugust is always a bit of tranquil month compared to the event-filled design happenings of April or September, so if you haven't already taken advantage of the calm before the ensuing fashion and design weeks, there is still time to catch a glimpse of a relatively unknown body of works in enamel by Ettore Sottsass, stationed in the new Vitra Design Museum Gallery space in Weil am Rhein.
Video: How Steve Jobs's Early Vision For Apple Inspired A Decade Of Innovation | Fast Company
Video: How Steve Jobs's Early Vision For Apple Inspired A Decade Of Innovation
by Austin Carr
Steve Jobs's return to Apple in 1997 is often referred to as the greatest second act in business history. He had been ousted more than a decade earlier in 1985, and was forced to watch helplessly as the company he built tumbled toward bankruptcy, hampered by poor management, a weak product line, and a dearth of innovation.
That all changed when Jobs came back, and breathed new life into the struggling company. We know how the story goes from there: Apple unveiled revolutionary products--the iMac, Mac OS X, iTunes, the iPod, iPad, and iPad--which led to unprecedented growth. When Jobs returned in 1997, Apple shares were being traded for barely a couple dollars; today, Apple stock hovers around $380 a share, and recently shot passed $400, briefly making Apple the most valuable brand and company in the world.
But to get to that point, Jobs had to do more than introduce flashy products. He had to define Apple's future. And he did so over the years, fighting off skeptics, refocusing the company, and most importantly, giving Apple a long-term vision.
RICHARD MEIER -Mutated Panels with Italcementi and Styl-Comp Group | INTERNI Magazine
Concept
La luce naturale è l’elemento fondamentale del lavoro di Richard Meier. La luce viene elaborata per dare forma allo spazio, indica il passare del tempo, rende presente il cielo – tutti elementi essenziali per arricchire l’esperienza di un’architettura. Mutated Panels consiste in una serie di pareti le cui geometrie gradualmente falsano la pluridimensionalità, tramutandola in una sola dimensione: il materiale con cui è costruita, il cemento, diventa espressione di plasticità. Mutated Panels è situata sul lato est del Cortile d’Onore e perpendicolare all’asse centrale dell’edificio. Non appena l’osservatore si muove l’opera suscita differenti percezioni temporali, volumetriche, planari e spaziali. L’opera, inizialmente, è colta come un inerte quadrato di cemento bianco, poi come un volume (formato dalla piazza e da una parete traslucida in cemento), successivamente come una sequenza distorta di bordi di pannelli, e infine come uno spazio lineare, animato dall’interazione dei pannelli che si intrecciano con la luce del sole da un lato e con la delicatezza della parete traslucida dall’altro.
Carlo Mollino Polaroids at Kunsthalle Vienna
Carlo Mollino: Un messaggio dalla camera oscura
Kunsthalle Vienna Project Space
august 31st - september 25th, 2011
The Kunsthalle Vienna project space presents 'carlo Mollino: un messaggio dalla camera oscura', an exhibition of the italian architect, designer,
photo artist and writer who also made a name for himself as an active skier, race car driver and aerobatic pilot.
His furniture designs and interiors executed in the spirit of the 'gesamtkunstwerk', the organic language of forms seen across his work,
was influenced by that of the female body. This is particularly evidenced by the private photographic work he kept which included over
1,000 polaroids portraying beauties of turin's night life in the nude in mise-en-scène settings. These photographs were part of the preparation of his
'house for the warrior's rest', known today as casa Mollino, a villa in Turin, situated along the po river.
This exhibition presents for the first time, a juxtaposition of furnishings from mollino's villa with a selection of these photographic works.
The show explores the boundaries and bridges between his universal artistic erotic imagination of the male and his intellectual and artistic attitude.
The exhibition has been curated by gerald a. matt, the project is realized in cooperation with the museo casa mollino, Turin.
Also... for visitors of the Vienna Design Week 2011, don't miss to visit this excellent show!
Apple - Press Info - Steve Jobs Resigns as CEO of Apple
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Steve Jobs Resigns as CEO of Apple
August 24, 2011
Letter from Steve Jobs
To the Apple Board of Directors and the Apple Community:
I have always said if there ever came a day when I could no longer meet my duties and expectations as Apple’s CEO, I would be the first to let you know. Unfortunately, that day has come.
I hereby resign as CEO of Apple. I would like to serve, if the Board sees fit, as Chairman of the Board, director and Apple employee.
As far as my successor goes, I strongly recommend that we execute our succession plan and name Tim Cook as CEO of Apple.
I believe Apple’s brightest and most innovative days are ahead of it. And I look forward to watching and contributing to its success in a new role.
I have made some of the best friends of my life at Apple, and I thank you all for the many years of being able to work alongside you.
Steve
via apple.com
Maestro Steve
by Luca De Biase
via blog.debiase.com
Dalla prefazione al libro di Jay Elliot, Steve Jobs, Hoepli 2011.
Lo hanno definito un genio, un tiranno, un leader carismatico. Ma più spesso, molto più spesso, Steve Jobs è stato descritto come un mago: per gli ammiratori, un creatore di realtà che nessuno aveva visto prima; per i critici, un prestigiatore che tira sempre fuori dal cilindro la sua nuova sorpresa. Perché un visionario è sempre una persona che pensa diversamente e che, dunque, suscita reazioni contrastanti: c'è chi crede che il suo sia un potere soprannaturale e c'è chi non cessa di tentare si scoprire quale sia il trucco.
